I love snow days. They disrupt the expected and shake up creativity. On Feb 3, 2012, Denver and the surrounding areas was rocked by 12-18 inches of snow. Cabin fever rose everywhere… so did creativity. Like any artist, I had to release this inspiration, and it came in the form of a video. Having recently picked up a Sony FS100, I decided it was the perfect camera (due to the S35 sized sensor and 1080/60 frame rate) for the job.
Ergonomics on the FS100 are something to be simultaneously admired and hated. It doesn’t have the comfort of a prosumer camcorder or a DSLR… it’s somewhere in the middle. But, on a good note, the camera does strip down to a reasonably small size, allowing for some high tech weatherproofing
The ziplock bag worked a treat. Camera was absolutely dry despite the heavy snow. NICE.
The AVCHD codec held up surprisingly well in the conditions. Small snow particles moving quickly in front of a nest of twigs and dead branches might be disaster for some cameras, but the files look fine, even at 1080/60. Sadly, this online version doesn’t do the original files justice. Enjoy,
February 8th is a huge deal for filmmakers in Colorado. We’re looking to double our incentives… because frankly the film community here is in trouble. There are lots of wonderful people and talent waiting to be used, but the infrastructure isn’t here to help us build up a strong community.
Colorado is 46th out of 50 states in terms of film incentives… Years ago, when film incentives weren’t an issue, many Oscar winning films were made here, influenced by many of the greatest filmmakers ever, including John Ford, the man that practically single-handed made “western” filmmaking (not that Colorado is limited to that however).
In the past 4 years, ZERO films have taken advantage of the abysmal 10% incentive. And this is in a time when the best digital motion picture cameras are readily available everywhere! Additionally, there’s an incredible “brain drain” in Denver. Aside from the $2 million a year we’re pumping into educating new filmmakers that move to LA/NY because there’s no work here, there’s a large list of individuals that are on the verge of closure despite their exceptional skills and talents.
I’ve had conversations with a few BIG places in town that are considering shutting their doors if the incentives don’t go through. That would be tragic not only for the lost jobs, but for the trickle-down impact on all filmmakers, big or small.This is a big freaking deal.
So on February 8th, filmmakers, content creators, media professionals and local businesses will stand together to show the legislators just how huge these incentives are for our industry.
Why this year, never before?
There’s a big jaded community that are convinced that the incentives “will never go through”. To them I say… I feel your pain. I’ve watched year after year go by and felt the disappointment. BUT.
This. Year. Is. Unique.
We have several cards on the table that have YET to be played.
First and foremost, Colorado Governor John Hickenlooper SUPPORTS Colorado Film incentives. Read this! When former Governor Bill Ritter put his mind to Green Business, it happened. Hickenlooper is putting his mind to film incentives.
Second, our new Film Commissioner, Donald Zuckerman, has a big career of producing films in LA, NM, and beyond. He has an excellent plan with the incentives and methods to keep the money in Colorado. His background makes him the perfect man for the job. Long story short, we have an educated and forward-thinking leader.
Third, out of all the places we can place money, this one builds infrastructure for jobs in Colorado. We have no industry. Imagine having SOME industry. We’re not going to be LA or NM overnight, obviously. But imagine instead of NO big films, we have 3 or 5, or 7 reasonably sized indie films. Suddenly… the brain drain slows… staying in Colorado makes sense… a community begins to develop… The trickle down effect is gigantic in the filmmaking world. One bigger film paves the way for many various others. In a world where distribution is being put into the hands of the public, this is an excellent position for Colorado to develop. Not only that, but films impact local businesses in every direction. Truck drivers, gas stations, dry cleaners, art supply stores, hair salons, hotels, restaurants… on and on.
Fourth, Colorado is beautiful. Mountains, lakes, sand dunes, prairie, studios spaces, downtown, industrial… It’s all here. Look at what The Lord of the Rings trilogy did for New Zealand. Look at what Harry Potter (and many other films) do for tourism in London. Tourism has a chance to take a QUANTUM LEAP in Colorado by working with films to advertise the beauty here. Again, it’s not just dollars the films are spending here… trickle down effect. Standard accounting doesn’t show the immense impact that filmmaking has on more than just an immediate film. But make no mistake, the impact is gigantic.
Lastly, you. You are a part of this opportunity. Bring the passion. Show Colorado the necessity for this film incentive. Let’s educate them to help them realize the many benefits! They’ll be glad when it happens. SHOW UP on February 8th at 7:30am on the steps of the Capitol. Bring all of your friends, relatives, co-workers… everyone.
And building up to February 8th,tell everyone! Look at what Egypt did through social media!
This is the first blog post in a series of x blog posts
Amongst the varied types of projects I work on, I have the pleasure of working with a diverse group of corporate clients on a regular basis. Each client has different takes on the type of content they prefer to use. Some relying heavily on photos and graphics, others are interested in shooting relevant b-roll, some want stock footage, some want staged material… the list goes on. But the cornerstone of most corporate videos is the interview. It is a simple, fast and (deceivingly) easy way to deliver information, add personality and emotion to a message, and engage an audience interested in your topic. The interview permeates many varieties of video, so it is absolutely critical for producers/videographers/filmmakers to master the it. I’ve spent the last 6 years shooting professional video content of all types, much of that interviews, and I’d like to spend the rest of this post sharing some of my best practices I’ve learned and discovered along the way.
There are a few necessary conditions for an interview to really take off.
1. They have to be comfortable
2. They have to be passionate
3. Sometimes surprise
4. They have to be honest
If these conditions are in place, we have the opportunity to capture some great stuff. So the interviewee is there in front of the lens… They’re now at the mercy of the questions. There are no hard and fast rules here. Sometimes the simplest yes or no question can lead to an intimate insight. Often, a well phrased and relevant question falls flat. If you have an infinite budget and time, it’s best to do a heck of a lot of research on your interviewee, the subject(s) they’re speaking to, the context they’re talking in, etc etc. It’s immensely helpful to meet beforehand. A phone conversation can do the trick, but I’ve learned that you can’t replace a casual face to face. My goals in these early meets tend to vary depending on how media-ready the interviewee is and the type of content we’re after. On a recent documentary project for a non-profit, much of the project centralized around the hardships that the interviewee had experienced. We spent 3 days getting to know each other before we shot the video. The emotion and vulnerability that was expressed in that interview is what really sells the story. Yet it wouldn’t have been emotionally possible without making the investment of time with the interviewee, building trust and ensuring that I was treating the hardships with the required attention.
In corporate videos, there often isn’t much time to establish a relationship with the interviewee. Instead of days or hours, some instances only allow for minutes before the camera begins to roll to develop a bit of repor. The attention has to shift to becoming acutely aware of who I’m speaking with and their role before stepping foot in the room. Seems like such an obvious point, but it’s surprising to see how many interviews I’m a part of (maybe just shooting, not organizing) that are missing this piece.
Occasionally, I’ve run into the situation where another interview needs to be taped (or captured…) last minute. No prep, no meets beforehand, just start rolling.
In the next blog post on this series, I will be discussing specific questions I try to ask for almost every interview.
Save Our Youth is a mentorship organization based out of Denver Colorado. They do amazing work.
This has been one of my favorite projects… EVER. Working with Jorge (the star) has been a real treat. He was brave and shared his story so that others may be interested in helping kids in similar situations.
From their website, saveouryouth.org
Save Our Youth transforms the lives of at-risk youth through mentor relationships providing the skills for success in educational, emotional, and spiritual development.
Shot over 2 months, I forced myself to occaisionally break away from the busy daily schedules and find inspiration in the incredible morphing shapes above.
Variation of wind speed, color, types of clouds, altitude, weather, and time of day make shooting clouds, a seemingly flat subject, fascinating. On the tech side, choosing the proper speed, anticipating cloud movement, and finding the perfect vantage point complicate what seems to be a simple shoot.
The video doesn’t quite do justice to the amazing Colorado skies.
Shot on the Sony EX1R
Music: Death Cab for Cutie, Brothers on a Hotel Bed
One of my latest jobs was camera operator for Fish the Baja, premiering on Versus HD on December 28th. I didn’t have much of a chance to take many still pictures, but the few I got tell a little bit about the trip. (click on pictures for larger versions)
A few of my friends were quite jealous as I left 20 degree weather in Colorado for 80 degree weather in Mexico. I have my jacket on in the picture above because despite the temperature, the breeze (or sometimes heavy wind) on the Pacific side can make 80 feel like 50.
60 Feet Long, built from the ground up for fishing, The Success is the Ultimate Sportfisher
5 days we stayed on the “Success“, a boat built from the ground up by its captain to be the perfect sport fishing boat. I’d never stayed on a boat for that duration. I have to admit, I was a bit nervous of being incapable to shoot because of seasickness. There were some fairly rough swells in the ocean, rocking the boat quite a lot. Staring through the lens of a camera is probably one of the worst ways to prevent seasickness. In any case, I was fortunate to quickly get over the very minor symptoms I had and wasn’t inhibited from shooting at all.
The picture above shows the walkway around the whole boat, perfect for fighting big fish. Underneath the hull, the boat has two 12.5L John Deere engines, allowing this boat to easily reach over 22 knots! For our excursion, we cruised along pretty slow, a) for the fishing and b) the 1200 gallons of fuel the ship holds get costly real quick.
Speargun
Instead of going during a normal fishing trip, we were privileged to tag along on a “crew trip” on the boat. Two of the crew were adament spear-fishers. Imagine… jumping into the Pacific 25 miles from shore with hundreds of feet of water underneath you, diving to 60 feet, and shooting a 50 pound tuna out of a school of fish.
Baja Sunset from the Pacific
An excellent trip, would love to do it again in a heartbeat.
Our original goal with this documentary was to give a voice to the Haitian mothers who don’t have a very loud political voice but have stories that need to be heard.
Watch a short portion of the upcoming documentary:
However, in light of the recent and tragic earthquake in Haiti, Nate and I have shifted our focus towards capturing the evolving developments.
Back in November, we spent 2 days at For His Glory Orphanage. For His Glory is called a kresh, meaning all of the children already have parents waiting for them in the US. The process to adopt these children takes a lengthy 2 or 3 years, so the children stay in Haiti until all of paperwork has been completed. Nate’s family is adopting two little Haitian girls from this orphanage, which we got to meet and hang out with back in November.
After the earthquake, the orphanage was stranded with no food and water for 5 days. The orphanage put a sign on their roof so the many helicopters flying overhead would notice. The sign said something along the lines of, “We are an orphanage and need help”. This led to news coverage from fox news.
During this time, Nate’s family has been constantly worried about the children because contact with the orphanage after the earthquake has been rare. So rare in fact, that they learned that they were evacuating the children from the orphanage from watching Fox News. After a string of developments, the children from the orphanage were granted humanitarian evacuations to come to the US to their expectant US families. This is great news for the adopting families!
The battle isn’t over yet. Adopting families now face their newest obstacle: paperwork. The children were supposed to be in the US Friday, which didn’t happen because of immigration problems. Haitian paperwork has always been notorious for having problems, and to compound the issue, much of that paperwork is now gone after the earthquake. So the children sat in the airport.
Hours later, the red tape was cleared and 32 children were on their way to the Orlando, FL on a donated United flight. Nate was able to find out that children would be landing in Denver near midnight on Saturday January 23. Both of us were ecstatic to have first hand news, so we called up our Haitian friend Neil, who speaks Creole, and made our way to DIA.
Upon arriving at DIA, we were informed that the flight had again been delayed and wasn’t expected to arrive until 4am. We waited around for a while, and by 12:30am, the flight hadn’t left Orlando. It was silently understood that the flight wasn’t coming for a while.
We went home discouraged, more for the kids than for our video coverage. Early the next morning, I received a phone call from Nate informing me that the children were landing at DIA around noon on the 24th.
A Haitian girl takes her first steps in cold Colorado Air.
Wrapped in a blanket, a young Haitian girl walks towards her adoptive US family in the nearby terminal
The three of us, Neil, Nate, and I, hustled over to DIA to find 4 news teams, the Denver post, and some other media affiliates. Things seemed to be going the right direction. After managing to convince the Denver Police Department that our lack of “news” credentials wasn’t a security issue, we were able to get onto the landing strip. Minutes later, the plane landed, and slowly but surely, Haitian children, some bundled in blankets, were taken off of the plane.
Five children were immediately rushed to the hospital, though we didn’t get any details on what their conditions were. Many of the other children came off of the plane smiling, some waving, walking towards their new life in America. Unfortunately for us, the media was restricted to the landing strip, so we didn’t get any footage of the kids reuniting with their US parents.
After more than a week of trauma, a young Haitian is carried towards her adopting US parents
Freedom at last! Almost… Nate just informed me that the adopting parents and children have yet again been detained at the airport for failing to fulfill some paperwork obligation.
As the story continues to develop, we will do our best to follow it and understand it.
Our original goal for the documentary has been pushed to the background with all of these new elements to our story. Because we were in Haiti in November, before the earthquake, we are in a unique position. We captured the difficult life of Haitians before the earthquake. The last few decades have been extremely hard on the Haitian people. Political instability and nonexistent infrastructure prevent the country from escaping the notorious cycle of poverty. Haiti will be in the media spotlight for a while, but as with all disasters, the aide eventually decreases and the world “forgets”.
Once the media spotlight moves on and the aide begins to decrease, our hope is to take the footage from before the earthquake and reveal to the world how bad things were. Our message is simple, we don’t want to rebuild Haiti to what it was. This terrible earthquake is the ultimate chance for partners to stand with Haiti and see lasting, necessary change.
Terralux is a company doing big things in the LED lighting space. This short piece looks at some key pieces to how they plan to revolutionize the lighting industry.
“Picture” was quite an endeavor. The moment after materializing the idea into a script over 1 year prior to production, I demanded only the best out of myself. That equated into heavy sacrifices. To help fund the film, I subscribed to the poor man’s diet of frozen burritos and pasta for 4 months. I managed to live on about $45 a month on food, an accomplishment in my eyes. I gave up on maintaining any consistent relationships, stopped sleeping more than a few hours at a time–all the things a normal film student does.
Left: Me, Right: Karen Ross (producer)
Apparently, people liked it. During the Spring 09 show, “Picture” won awards for “Best Producer”, “Best Production II”, and “Best Cinematography”. It was also nominated for “Best Art Direction”, “Best Director”, “Best Picture”, and “Best Sound”.
The crew that worked on the production was beyond fantastic. On the first day of shooting, the wind decided to blow at 50mph gusts, blasting all of the equipment, crew, and otherwise with sand. Yet during the whole shoot, I didn’t hear a complaint from anyone. Amazing! It paid off!
Camera: Sony EX1 with a Letus Adapter and Nikon primes
The Snowmass Balloon Festival. Totally cool experience in the stunning Colorado Rockies. I was privileged to go shoot this piece and absolutely loved the experience. Save the date next year, this is a festival worth going to!!!
Shot on the Red Epic.
I have some killer “night glow” footage that I will post (sometime soon).
The ziplock bag worked a treat. Camera was absolutely dry despite the heavy snow. NICE.
